Kenneth Gyang
is a prolific writer and film director who directed a feature film, Confusion NA Wa, which debuted in
cinemas last weekend. The graduate of the National Film Institute in Jos,
Plateau, in this interview with ADA DIKE opens up on why he loves directing
films.
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Kenneth Gyang (Photo: ADA DIKE) |
*Can you give us an insight to your
background as a filmmaker?
I
was born in Barkin Ladi, Plateau State, Nigeria. I studied Film Production at
the National Film Institute in Jos. I also studied screenwriting at Gaston
Kaboré's IMAGINE in Ouagadougou, Burkina Faso.
I
started working in film and television in 2006. I have
worked as a director for the British Broadcasting Corporation’s Wetin Dey and also
directed Finding Aisha for
SoundCity, for which I won Screen Producer of the year at the Future Awards.
Game of Life and Mummy Lagos
are my two short films selected for the Berlinale Talent Campus 2006. Mummy
Lagos was also selected for the Sithengi Talent Campus as part of the Cape Town
World Cinema Festival in South Africa. Also, my film, Omule won Best
Documentary Film at the First Nigerian Students International Film Festival in
2006. Mummy Lagos won Best Film at the Nigerian Field Society Awards
organised by the German Cultural Centre, Goethe-Institut, in Lagos and the Jury
Special Mention at the ANIWA festival in Ghana.
I
worked with Communicating For Change as an Associate Producer on Bayelsian
Silhouettes- a series of seven short films on Human Immunodeficiency
virus/acquired immunodeficiency syndrome (HIV/AIDS).
In 2010, I was listed by Y! Magazine as one of 50
people under the age of 35 that will change Nigeria.
I have directed two feature films: Blood
and Henna in 2012 and Confusion Na Wa
in 2013, funded by the Rotterdam Film Festival’s Hubert Bals Fund.
*How did your passion for filmmaking start?
I wanted to be a news caster so I fell in love
listening to BBC news on shortwave radio. I also wanted to study Mass
Communication but along the line, I visited a few film set around the museum of
Jos, and I liked what was going on there.
One day, I saw a poster advertising the Nigerian Film Institute and went
there and loved what was going on
there. I registered for it and studied the art of filmmaking and started
writing scripts.
The first
major work I did was Mummy Lagos, a story about a woman who portray Africans
as being stronger than the whites.
*What is the film, Confusion Na Wa all about?
I have two
partners, namely Tom Rowlands-Rees
and a Nigerian cinematographer, Yinka Edward. We met in campus in 2006 and we
decided to form our company, Cinema Kpatakpata, which primarily aims to
make films in Nigeria and Africa.
Tom
Rowland Rees produced the feature film, Confusion Na Wa and I directed
it.
It features Ramsey Nouah (Emeka), OC Ukeje (Charles), Ali Nuhu (Bello) and Gold Ikponmwosa (Chichi) and won the top gong - Best
Film - at the Africa Movie Academy Award (AMAA) in Bayelsa State.
The
flick is a social comedy drama of lust, infidelity, friendship, confusion,
revenge and heartbreak that involves the lives of a diverse group of individuals
as their paths cross over the course of one day. In a nutshell, the film is about what
we do in life can affect other people. The underlying theme of Confusion NA Wa is that we should
always be careful of our actions so that it may not have negative effects on
the lives of others in the society. The film is a
multi-layered story inspired by the film Amores Perros.
How did you come about the title, Confusion Na Wa?
We
decided not to give it a horror title so, we chose Confusion Na Wa due to the love we have for late Afrobeat
maestro, Late Fela Kuti and Africa. We did not think of giving it an English
title. We decided to give a title that is African instead of a fanciful English
one. That is a trend and we actually love it that way.
This
film was released on October 25, 2013, and it is being shown in many cinemas
across the country.
*Which group of people will the film appeal to?
Like Quentin Tarantino, I
have a philosophy of making thought-provoking film that will appeal to different
class of people.
Confusion Na Wa is quite entertaining and educating. So the film
will appeal to every mature adult that loves good film.
*Did you have premonition that you were going to get
funded by the Rotterdam Film
Festival’s Hubert Bals Fund for the film?
To be honest with
you, when we were writing the script, we knew we had a very good material that is strong in
story, characters and dialogue. When we wrote the script, we sourced for funds
through a grant in Netherlands. We entered for it and also sent the same script
to Hubert Bals Fund, which is part of the International Film Festival Rotterdam
in Netherlands. We knew that if we could get a location, we could
actually make it.
We also got production
support from Kunle Junaid’s Refuge Island Media, Noah’s Creed, Cinecraft and
Newage Network
*How did you feel when you received
the Africa Movie Academy Award (AMAA)?
AMAA for me was the ultimate. When you find out
that
Nollywood are giving you an award, it means that you have actually done well. It’s
indeed a huge thing. Though I
have been directing films before winning the AMAA, the award brought more fame
to me as an individual and to our company. I am glad that we have proved that a
lot of young people can make good films that can win awards in Nigeria and
beyond.
Are you a member of Nollywood?
In 2006, I met a famous
cinematographer, Christopher Doyle, in Berlin and he said “ Oh! Nollywood”.
I will never say I am an
alternative filmmaker to Nollywood. I am part of Nollywood because I don’t
believe in segregation. For me, the content of the film defines you as a
filmmaker. It does not have to do with the name you are practicing with or the
body you belong.
*Are your parents in support of your choice of career?
Yes they are,
especially my mother.
*If you’re not into filmmaking, what would you be
doing?
Maybe, I would
have been playing football. (Laughs).
As a filmmaker, what is your future aspiration?
I want to be known as one
of the best film directors in the world.
Why are you based in Jos?
Well, the thing is that, it is not about Jos
alone, it is where you can sit down, think and bring out an interesting peace.
Jos has this serenity and of course, it is a better place to live, especially
when one is due for retirement.
*Have you ever regretted doing your job as a director?
Yes, sometimes it is hard
to get funds for films and it can be discouraging. When I was graduating, my
mother asked me the government parastatal I wanted to work for and I laughed
and told her that filmmakers can work alone. You must not work in a parastatal
to become somebody.
Sometimes, if you are
dealing with people, they don’t give one respect. Despite these challenges, I
really love what I am doing.
*Who are your role models in film industry?
I admire the works Quentin
Tarantino because he makes the kinds of films I watch. Every time his film is
out, it is always an experience because he gives a viewer something to learn
from and he is always paying tribute to cinemas.
Other filmmakers I admire
include Fernando Meirelles, Alejandro Gonzalez Innaritu and Alfonso Cuaron.
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