An
exhibition, “Views and Secrets Vom Abeokuta an Isara”, by a German
photographer, filmmaker and painter, Vera Botterbusch, held from November
18 to 22, 2014 during the Ake Art and Book Festival in Kuto Abeokuta, Ogun
State, Nigeria. In this interview with ADA DIKE, Botterbushc speaks on why she
is interested in Yoruba culture.
Vera Botterbusch |
Can you give
insight to your background?
I was born in Dortmund, but I live in Munich. I Studied
German and French literature, art and directing in Bonn, Münster, Grenoble and
Munich.
I am photogragrapher, fillmaker, writer and publicist
about art, film, literature and theater for newspapers (Süddeutsche Zeitung )
and radio (Bayerischer Rundfunk).
The German Consulate sponsored my recent visit tripto Nigeria during the second edition of Ake Arts and Book
Festival in Abeokuta in November 2014.
How long have you been making film, painting
and shooting documentary photographs?
I started
making films in 1974. I have a 200-page novel and other projects.
How many films have you produced?
I have done
more than 15 films about literature including Soyinka. I have films about
music, French and German writers (because my English is not fluent). I am
interesting about the feelings of the writers. I have done films about arts.
Are you happy doing art?
For me, it is great because I make
photos like painting and so on.
You took photographs of Isara,
Abeokuta in Ogun State, Nigeria some years ago. Between 1999 and 2014, have you
seen any change in terms of development in Isara?
When I
visited Isara after my arrival, I discovered that a lot of positive developments
have taken place there. I was confused because I was looking for the old places
but I couldn’t recognize any place there. I was looking for the primary school,
market and stores I visited, but felt bad that everything is gone. There is a
big contrast and it makes me sad.
Why does the transformation that took
place in Isara town make you sad?
The beauty
of the town is gone. I loved the way the place was because the buildings I saw
there 16 years had stories associated with them.
I am sad
because, despite the change in terms of modern roads and modern buildings, I
saw hardship and suffering on the faces of the people. The change did not
affect their standard of living. This is what is also happening in Germany. All
the paradise they paint it to be does not exist.
I took the
pictures when I was making 45-minutes’ documentary on Isara. I was so impressed
of the people. They are open so we had good communication. It is better to be a
human being without a telephone or iPhone than to have an iPhone without life.
I feel the emotion of the people when I look at the pictures.
How did Germans react when they saw
the photographs?
They were
happy to view another culture through my photographs. I like to give a feeling
to my photographs that was why I took those pictures. You speak with pictures
to open your inner mind to commence a dialogue with people.
I have seen
many artistic works by Africans and I like them because they convey interesting
messages.
How many exhibitions have you done?
I have done
two exhibitions in Germany and one in Nigeria. I did a catalogue and wrote
about Yoruba culture and Prof. Wole Soyinka. I made some explanations and felt
like an ambassador in the write-up. I am aware that Nigeria has many ethnic
groups with different cultures. Here, I speak of Yoruba culture because I know
a little bit of it and would not like to speak in a superficial way. To me, the
pictures are more than words because you have emotions and see the peaceful
faces of the ladies. Some of the ladies were meditating and it was touching. I
decided to show other people what I feel in my heart because when I made the pictures,
I felt touching when I saw their situation.
The masks
Yoruba masquerades wear look fantastic and inspire me to see timeless pieces.
That is why I am planning to make a film about literature which talks about
Africans’ ways of life. I had the possibility of meeting Prof Soyinka 16 years
ago.
I exhibited
these photos for the first time in Munich in 2010 and Soyinka saw my photos and
liked them. I met him in Germany last
year and he told me that he would like me to exhibit them in Abeokuta, Nigeria
and added that those places were not like that anymore. When I visited Nigeria,
I found that everywhere has changed in Abeokuta including Alake of Egbaland’s
palace.
I used the
title, “Views and Secrets Vom Abeokuta an Isara’ because I took the photos from
Isara.
The Isara
photos are dedicated to Soyinka’s 80th birthday. My photos express
the reality behind the reality to let people feel the mystery in the reality. I
once made photos of the four elements – fire, light water and air, and I found
out that these four elements are here. I
like to discover the mystery. For me, the mystery is in us and those photos
over there. You can begin a conversation with them.
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